New, from Tom Alibrandi:
Josh Morgan is sent off to the midwest by his troubled parents. At a next-door picnic, he meets Senator Joseph McCarthy, who takes a liking to the fourteen-year-old boy. Eventually, Josh is caught up in the middle of those who love and those who hate his new friend, ‘Uncle Joe.’
McCarthy’s alcoholism leads to Josh experiencing horrific episodes, despite the Senator’s other acts of tender kindness. It falls upon Josh’s young shoulders–and an exceptional therapist–to navigate the all-or-nothing paradigm that is destroying him.
Spotlight on Sustainability
(A Note from the Publisher)
In our burgeoning post-Corona lifestyle, there is a reckoning. Social distancing has changed our everyday actions and expected norms. For many, this has kindled a desire to get back to the basics– family, friends, meaningful work, and sustenance. The promise of “more,” more money, more work, more striving, more productivity, is exposed daily as a fraud as many of us are forced to make do with less, yet finding some redemption in simplicity.
In time, we will find our new “normal” and most of us will fall back into some of the old traps and trappings. But the new normal doesn’t need to include the same degree of striving and grasping. The new normal is rife with opportunity to build something better, to become someone better. The challenge we face—now and for the future—is to do more with less, to live more with less. Quality of life can be an elusive end. Our addicted grasping for more is part of the American mythos. But we are reminded that the meaning is not from things, but from experiences, relationships, and the simple pleasures gained from living our lives in real-time and not at jet speed.
With the help of author Mark Cramer (Urban Everesting, Old Man on a Green Bike), Wordbound is collecting web resources for better living that may be helpful as we rethink life as it has been–and look to how it can be–in a sustainable and fulfilling tomorrow. If you have inclusions for this list, please submit them below.
Best wishes to you all. Stay safe.
– Jake Mayer, publisher at Wordbound Media
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“Taking inspiration from those overwrought scenes of religious ecstasy beloved of the Baroque painters, T. C. Van Adler has written a morbidly funny debut mystery in ST. AGATHA’S BREAST.”
- Marilyn Stasio, The New York Times
- Brian, Dignity Newspaper
“St. Agatha’s Breast isn’t for every taste, but for fans of the cerebral mysteries such as Umberto Eco’s classic The Name of the Rose… will be fascinated with this.”
- The Portland Oregonian
Saint Agatha's Breast - Why Now?
Although the date for the re-release of my trilogy of novels was set some time ago, I’ve been reflecting on whether it is appropriate to put them out during the Coronavirus Crisis. And I’ve decided that indeed it is, that they do indeed have something to say during these times. But not at all for the reasons we all had thought a year ago when we enthusiastically contracted to do so.
Twenty-five years ago I was filled with concern–indeed at times rage–when I began to write these books. Studying and teaching at the Pontifical University in Rome as a religious order priest, I saw first hand the arrogance of the hierarchy, a concerted cover-up of clerical sexual abuse, deep-seated misogyny and homophobia. Having come from the art world, where I had secretly worked as an informant with Interpol, I knew of the collusion of galleries with International Crime Networks. Rather than write a Jeremiad of all this, I decided to construct a series of “light-hearted” (if “macabre,” as the Times had it) art murder mysteries. My agent got over a dozen rejections for the first book (Saint Agatha’s Breast) not because of quality but, reading between the lines it was so easy to see, rather, fear of raising these topics. Primarily clerical sexual abuse as the Church still reigned untarnished, in those pre-Boston Globe days.
But times have changed. Radically so. While all those things that compelled me to write these books are still with us, they only survive among the benighted. What I’ve realized in the careful re-editing undertaken these past months is that the texts look quite different now, read very differently. Call it hermeneutics. Rather than issues I now see the characters: some consistently overdrawn like Zinka – that magnificent transsexual art historian; others like Father Bertie, evolving from a cowed monk to a self-assured gay man. But more significantly still, what a pleasure it is to be thrown back to the final years of the last century. That time before the onslaught of social media and cell phones, when receiving an email was absolutely thrilling and a fax was imbued with gravitas.
My hope is that readers (and listeners once the audiobooks are released) will find solace in a simpler time. Yes, the problems addressed in the books are still with us but we are making headway in addressing them. And how wonderful to walk the streets of Paris and Rome, to climb up the Palace in Prague and to wander the campus of Bryn Mawr. A reminder of pleasures awaiting us all when these dark days pass – as they surely will.
So yes, I believe now is a perfect time to re-release these “page-turners” (critics words not mine). Let our minds range freely as we shelter in place. Let us frolic in the silly past as we deal with the trials of the present. At times like this, who doesn’t need a little Zinka